Iankey Two Fingers To Touch Typing Conversion Course v3.07 (UK) (128K) (Face A) (1985) (Version PCW 8256) [Original].dsk
HexaDumpAscii only
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001840: 43 50 2F 4D 20 56 65 72 73 69 6F 6E 20 33 2E 30 CP/M Version 3.0
001850: 43 4F 50 59 52 49 47 48 54 20 31 39 38 32 2C 20 COPYRIGHT 1982,
001860: 44 49 47 49 54 41 4C 20 52 45 53 45 41 52 43 48 DIGITAL RESEARCH
001870: 31 35 31 32 38 32 00 00 00 00 36 35 34 33 32 31 151282....654321
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0018B0: 3A 20 24 45 52 52 4F 52 3A 20 4E 6F 20 27 53 55 : $ERROR: No 'SU
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0018D0: 2F 4D 20 33 20 53 55 42 4D 49 54 20 56 65 72 73 /M 3 SUBMIT Vers
0018E0: 69 6F 6E 20 33 2E 30 0D 0A 24 45 6E 74 65 72 20 ion 3.0..$Enter
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001940: 00 38 32 35 36 54 46 54 20 44 41 54 00 00 00 02 .8256TFT DAT....
001950: 0A 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
001960: 00 49 41 4E 4B 45 59 32 20 4F 56 4C 00 00 00 36 .IANKEY2 OVL...6
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001B20: 20 24 2E 24 49 6E 76 61 6C 69 64 20 41 53 43 49 $.$Invalid ASCI
001B30: 49 20 43 68 61 72 61 63 74 65 72 24 50 61 72 61 I Character$Para
001B40: 6D 65 74 65 72 20 45 72 72 6F 72 24 45 52 52 4F meter Error$ERRO
001B50: 52 3A 20 44 69 72 65 63 74 6F 72 79 20 46 75 6C R: Directory Ful
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002D60: 44 43 33 FF 13 00 44 43 34 FF 14 00 4E 41 4B FF DC3...DC4...NAK.
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003290: 41 02 04 00 81 08 10 84 20 04 04 02 11 01 0A A0 A....... .......
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003580: 49 4E 47 3A 20 43 61 6E 6E 6F 74 20 72 65 64 69 ING: Cannot redi
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0035A0: 24 45 52 52 4F 52 3A 20 41 75 78 69 6C 69 61 72 $ERROR: Auxiliar
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003600: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
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0037E0: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
0037F0: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
003800: 00 00 C9 C3 00 00 01 00 00 00 01 53 59 53 49 4E ...........SYSIN
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00AD70: 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A ................
00AD80: 20 20 20 20 20 74 6F 20 73 75 69 74 20 79 6F 75 to suit you
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029FE0: 03 03 03 FF 00 04 33 2E 30 37 00 04 2E 4F 56 52 ......3.07...OVR
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02A300: 63 00 06 72 65 74 75 72 6E 00 06 52 45 54 55 52 c..return..RETUR
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02A330: 3A 00 07 4C 65 73 73 6F 6E 3A 00 09 45 78 65 72 :..Lesson:..Exer
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02A350: 44 45 4D 4F 00 0C 20 6E 65 65 64 73 20 66 69 6C DEMO.. needs fil
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02A3D0: 33 2C 20 38 34 2C 20 38 35 20 49 61 6E 20 4C 69 3, 84, 85 Ian Li
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02F860: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F870: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F880: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F890: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F8A0: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F8B0: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F8C0: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F8D0: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F8E0: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F8F0: E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 ................
02F900: 4F 66 66 73 65 74 2D 49 6E 66 6F 0D 0A 00 00 6F Offset-Info....o
02F910: 18 C0 00 50 03 E0 05 70 08 00 0B 90 0D 20 10 B0 ...P...p..... ..
02F920: 12 40 15 6F 18 BE 00 4E 03 DE 05 6E 08 FE 0A 8E .@.o...N...n....
02F930: 0D 1E 10 AE 12 3E 15 6F 18 BB 00 4B 03 DB 05 6B .....>.o...K...k
02F940: 08 FB 0A 8B 0D 1B 10 AB 12 3B 15 6F 18 BF 00 4F .........;.o...O
02F950: 03 DF 05 6F 08 FF 0A 8F 0D 1F 10 AF 12 3F 15 6F ...o.........?.o
02F960: 18 BF 00 4F 03 DF 05 6F 08 FF 0A 8F 0D 1F 10 AF ...O...o........
02F970: 12 3F 15 6F 18 C0 00 50 03 E0 05 70 08 00 0B 90 .?.o...P...p....
02F980: 0D 20 10 B0 12 40 15 70 18 C1 00 51 03 E1 05 71 . ...@.p...Q...q
02F990: 08 01 0B 91 0D 21 10 B1 12 41 15 6F 18 C0 00 50 .....!...A.o...P
02F9A0: 03 E0 05 70 08 00 0B 90 0D 20 10 B0 12 40 15 70 ...p..... ...@.p
02F9B0: 18 C1 00 51 03 E1 05 71 08 01 0B 91 0D 21 10 B1 ...Q...q.....!..
02F9C0: 12 41 15 6F 18 C2 00 52 03 E2 05 72 08 02 0B 92 .A.o...R...r....
02F9D0: 0D 22 10 B2 12 42 15 6F 18 C2 00 52 03 E2 05 72 ."...B.o...R...r
02F9E0: 08 02 0B 92 0D 22 10 B2 12 42 15 6F 18 C0 00 50 ....."...B.o...P
02F9F0: 03 E0 05 70 08 00 0B 90 0D 20 10 B0 12 40 15 6F ...p..... ...@.o
02FA00: 18 C3 00 53 03 E3 05 73 08 03 0B 93 0D 23 10 B3 ...S...s.....#..
02FA10: 12 43 15 6F 18 C1 00 51 03 E1 05 71 08 01 0B 91 .C.o...Q...q....
02FA20: 0D 21 10 B1 12 41 15 6F 18 BF 00 4F 03 DF 05 6F .!...A.o...O...o
02FA30: 08 FF 0A 8F 0D 1F 10 AF 12 3F 15 6F 18 C2 00 52 .........?.o...R
02FA40: 03 E2 05 72 08 02 0B 92 0D 22 10 B2 12 42 15 6F ...r....."...B.o
02FA50: 18 C1 00 51 03 E1 05 71 08 01 0B 91 0D 21 10 B1 ...Q...q.....!..
02FA60: 12 41 15 6F 18 C0 00 50 03 E0 05 70 08 00 0B 90 .A.o...P...p....
02FA70: 0D 20 10 B0 12 40 15 70 18 C1 00 51 03 E1 05 71 . ...@.p...Q...q
02FA80: 08 01 0B 91 0D 21 10 B1 12 41 15 70 18 BF 00 4F .....!...A.p...O
02FA90: 03 DF 05 6F 08 FF 0A 8F 0D 1F 10 AF 12 3F 15 70 ...o.........?.p
02FAA0: 18 BB 00 4B 03 DB 05 6B 08 FB 0A 8B 0D 1B 10 AB ...K...k........
02FAB0: 12 3B 15 70 18 C2 00 52 03 E2 05 72 08 02 0B 92 .;.p...R...r....
02FAC0: 0D 22 10 B2 12 42 15 6F 18 C0 00 50 03 E0 05 70 ."...B.o...P...p
02FAD0: 08 00 0B 90 0D 20 10 B0 12 40 15 70 18 C1 00 51 ..... ...@.p...Q
02FAE0: 03 E1 05 71 08 01 0B 91 0D 21 10 B1 12 41 15 6F ...q.....!...A.o
02FAF0: 18 C0 00 50 03 E0 05 70 08 00 0B 90 0D 20 10 B0 ...P...p..... ..
02FB00: 12 40 15 6F 18 C0 00 50 03 E0 05 70 08 00 0B 90 .@.o...P...p....
02FB10: 0D 20 10 B0 12 40 15 70 18 C0 00 50 03 E0 05 70 . ...@.p...P...p
02FB20: 08 00 0B 90 0D 20 10 B0 12 40 15 6F 18 BE 00 4E ..... ...@.o...N
02FB30: 03 DE 05 6E 08 FE 0A 8E 0D 1E 10 AE 12 3E 15 70 ...n.........>.p
02FB40: 18 BD 00 4D 03 DD 05 6D 08 FD 0A 8D 0D 1D 10 AD ...M...m........
02FB50: 12 3D 15 6F 18 C1 00 51 03 E1 05 71 08 01 0B 91 .=.o...Q...q....
02FB60: 0D 21 10 B1 12 41 15 6F 18 BF 00 4F 03 DF 05 6F .!...A.o...O...o
02FB70: 08 FF 0A 8F 0D 1F 10 AF 12 3F 15 70 18 C0 00 50 .........?.p...P
02FB80: 03 E0 05 70 08 00 0B 90 0D 20 10 B0 12 40 15 6F ...p..... ...@.o
02FB90: 18 C0 00 50 03 E0 05 70 08 00 0B 90 0D 20 10 B0 ...P...p..... ..
02FBA0: 12 40 15 70 18 BD 00 4D 03 DD 05 6D 08 FD 0A 8D .@.p...M...m....
02FBB0: 0D 1D 10 AD 12 3D 15 6F 18 BF 00 4F 03 DF 05 6F .....=.o...O...o
02FBC0: 08 FF 0A 8F 0D 1F 10 AF 12 3F 15 70 18 BF 00 4F .........?.p...O
02FBD0: 03 DF 05 6F 08 FF 0A 8F 0D 1F 10 AF 12 3F 15 6F ...o.........?.o
02FBE0: 18 BD 00 4D 03 DD 05 6D 08 FD 0A 8D 0D 1D 10 AD ...M...m........
02FBF0: 12 3D 15 6F 18 C0 00 50 03 E0 05 70 08 00 0B 90 .=.o...P...p....
02FC00: 0D 20 10 B0 12 40 15 6F 18 BB 00 4B 03 DB 05 6B . ...@.o...K...k
02FC10: 08 FB 0A 8B 0D 1B 10 AB 12 3B 15 6F 18 C0 00 50 .........;.o...P
02FC20: 03 E0 05 70 08 00 0B 90 0D 20 10 B0 12 40 15 00 ...p..... ...@..
02FC30: 00 00 00 ...
RESULT OF SEARCH :
PRO=124 CHEA=0 COD=0 MUSI=1 COP=17 GRA=46 WRIT=26 198=12 199=0 STARTER=0 KBI=0 CAAV=0 L.TOURNIER=0
PRO=124 CHEA=0 COD=0 MUSI=1 COP=17 GRA=46 WRIT=26 198=12 199=0 STARTER=0 KBI=0 CAAV=0 L.TOURNIER=0
EXTENDED CPC DSK File SAMdisk181202* R(*R12!W#(o&)#!4W(B! " +( 8G O#EMSZ!q#r
!+6+r44 ( 8QQ' G2 BLPL !w( ydx2ey2gf*0 x2yx208 !08F#0y# R H% "#$!6+!6$D2$X*M
02Op!6!5KxK*M "D2 O O O "!/H "*M 2 *++" *&2 Ht!4!""!6!+!4*DM*"*DM!"2£2AS
UB 1xCP/M Version 3.0COPYRIGHT 1982, DIGITAL RESEARCH151282654321Invalid fil
e name $Error On Line $Enter Password $ERROR No 'SUB' File Found$CP/M 3 SUBMIT V
ersion 3.0 $Enter File to SUBMIT SUBMIT COM*SETKEYS COM8256TFT DAT IANKEY2 OVL
6 I COM !IANKEY 099"#$IANKEY 000E./0123456IANKEY 001D789IANKEY 002ABCD
EFGHIJKLMNOIANKEY 002PQRSIANKEY 003ITUVWXYZIANKEY 004ZabcdefghiIANKEY 005jkl
mnopqrstuIANKEY 0069vwxyzIANKEY 0072IANKEY 0087$SUBDisk Write Error$Random Re
ad $.$Invalid ASCII Character$Parameter Error$ERROR Directory Full$Requires CP/M
3.0 $11G"*0HbP2IK 1"d*++""!.v!q*&!p+q*£!s+p+q*w#6* *#"N#Fy!p+q*!p+q*2!p+q*!p+q*
!p+q*!p+q*!!p+q*2!p+q*!q*-!q2!61!sIANKEY OVL%&'()*+,-I COMI COM£KEY
S IANGO256 SUBIANSTAL DATO RECO $$$ +q2!6*&"1!p+q*!s+p+q+p+q2d*
* w*#"*#" !s+q+p+q2*w*#"!p+qe*DM!.s!qa O2eel !6!2 K*&lw Tr2O!l6 3!4**& H!4l S*Q
*Sl.lP"**&elP"*5.*&6!6*&( 2*&6e!"!" "p.e.2O2*& HH.!4*&2!6!!62O!2 2O9!60+wO9!60+w
O9!60+wO9!60+4!"!6!6!6#6D2 RjSETKEYS #115 Developed by Locomotive Software Ltd
. Copyright (C) 1985 Amstrad Consumer Electronics PLC s1y*%"+(!U,PKR(EBad key
number or expansion token $M"gGTBad shift or translation character $!4U$ CENSA
SAU*qBdBad expansion string $String too long or token number invalid $ yM(Igno
ring rest of line $ $This program FGET ***.n6.t6LL!py!6 "x!F#fh!!!w!5*.w!9"
1A#u.t.w &/3!6wucy! Bdd!6#+w*u*od!$4$!'Fx!% px x2& '*2.2+6.wwill not run in this
environment $,Cannot open file $d(w# x(y 8"(dy( "(8'(dy'!UNULSOHSTXETXEOTENQA
CKBELBSHTLF VTFFCR SOSIDLEDC1DC2DC3DC4NAKSYNETBCANEMSUBESCFSGSRSUSSP DELXONXOFFy
"X((X(!T)))y022*2$*.6#6*.w##4o$O!54 !F6#xON# *.w#wtxp 8""SYSIN SUB hhhhhhh
hhhhhhhWARNING PROGRAM INPUT IGNORED $ !q!r- "w*wC w*#" "*#22! 8!0!s*&0!s!6 s L
!i#V##fo yowGxAoow.ooo6u.04u#66JN33yy#q#p#w!!#*6uwuo333333.33,#w#6 O O .,/a 1512
82 COPYR '82 DRI gggggggggggggggggggggggggggggg"D! BH!H$!!$"A!D$DHH$B!" A #V*
£)6#6* £#" £*vz*£#"£z*"*"*"*"*"*"*""£*"*"*"!"a*k%*k%*$£k%*k%*"&£!!6Jjk%*f"£**%*j
*zozgi*"&£**%5*h*Nozo i #2#2#2* W !Rw o 2e " .#V".wD z #V#*+ + * .2 .n2 6!.t
+ 2 6!N#F#*" q#Vp" N#F##"q#Vp" 4! 7o ! 6 1m #yo WARNING Cannot redirect fro
m BIOS $ERROR Auxiliary device redirection not implemented $ERROR Insufficient
Memory $""SYSIN SUBogDM!))ogQiN#Fogo&ogz#W00001 $SYSIN $$$ Ready Yes/No.
Press Y or N YN,Yes,No,YPrinting your records... to INTERRUPT print.Session . #
# ## #### ###%+ to abandon print, any other key to
resume! *** End Of Your Record. ***There is no record to print.*** Change
Skill Level ***'S target SPEED ( Words Per Minute ).A target ACCURACY (%Char
acters typed correct)(R number of times to REPEAT exercise No ChangePress whe
n you have finishedPress S, A, R or ARSPlease enter a 0,16 27 89 999 999 9
99 32,32,0,1,0 27 112 999 27 113 999 27,69,27,72,999 0,80,24,408,"AMSTR
AD PCW8256" 27,120,999 27,121,999 27,75,999 ,,,,, 27,"Press EXIT ","Exit"#V
* £)6#6* £#" £*vz*£#"£z*"*"*"*"*"*"*""£*"*"*"!"a*k%*k%*$£k%*k%*"&£!!6Jjk%*f"£**%
*j*zozgi*"&£**%5*h*Noznumber and S(0-140 Wpm.) A(0-100 %)RR REPEAT exercise (
1-10 times) LDW+There is NO MORE SPACE on disk to keep your-records. Please,
make room on the disk beforerunning '' again.EXSYSTEM EXTENDED ERROR.,Refer to y
our operating system documentationERROR / should not occur. Please inform the Pu
blisher.Line PPress any key.*** Error Menu ***!P PRINT your records. X EXITPr
ess P or X. ( EXIT)EXITPXPSNo Overlay.One moment please...!"P"T!"Rxi!£(*"£*"£*
"£*z"£*£Negi9*e!c"!!!5U!b5!2b5*#V%."£*T$!v$*#V$!z$*$!$b5*z"£!*£*0*"£*&£k%!**£*£!
!!*£*£!"**£ozf*"£*2"£!"£!"zg!!0*$!$*#V$!$*z$!$45!*£*0*£&£k%!**£*£!!!*£*£!"z R!"£
e%*** Change Lesson/Exercise Menu ***%You can go to any Lesson and Exercise be
fore or after the current one. Which Lesson do you want (1- ) Which Exercise
do you want (1- )!to choose another Lesson/ExerciseNo such exercise.TUTORIAL
RECORD FOR ogX (-Pd( !))))yX oP P+ d # # # (x+(##V(xh 2!"2# *R #2(223(!(22!"*Ny
(2#"*(!4*+"+Ny !FCK 1("*W"O!!Page ##1LESSON EXERCISE WORDS PER MINUTE AC
CURACYSession More record follows...*** Print Your Record ***&You can choose w
hich sessions to list.Start at Session Number ( 1- alone )Stop at Session Numb
er (- alone ).Do you want to print the results on the Screenor on the PrinterP
ress S or P. ( Screen)SP,Screen,Printer,ScreenSP'Enter number of lines per page
(20-99 ) /Set paper to top of page before starting print.Is printer now r R8
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$b5!cb5u*-d$!5d$b5u&fd$b5*k%*ozv!md%**ozv!pdb5!**ozv9!d!!5!db5U*#Vd$!d$45*V%",£!
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it's not on another drive, then ABCDEFGHIJKLMNOPERROR in file Line OMNOT ENOUGH
MEMORY TO RUN ''.DW DISK FULL.2 No Overlay 2.AChaining to ...A000 Wpm.% Charact
ers correct.%A** HELP MENU **B error BEEP (/) K display (/)1S change SKILL
level L change LESSON/exercise.P PRINT your record X save rezO%Y%'PY'yxWe%x
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%!!6*y!!0*"*!(*,* 12 14 *lists all variables2 and strings 1 14 *Two Finge
rs to Touch 12 12 from 4multiple source files 1 12 t
yping conversion course 12 12 (incl. INCLUDE files, 1 12
for experienced two-finger 12 12 modules and overlays) 1 12
typists 12 14 *prints full line 2for each variable
1 14 *Custom courses 12 14 *vital tool 2for!)"r*rz3*,k%*r#"
*%"E*k%!"rc*r#"r**r!C&k%**,%*r*zH**r**rozg#C&k%*r"**ozg"r*k%*Q*"*!"*"**H*F*F6"!"
F*"*F!"m**)#V*ozf*"F!"*f*#"*H*"*!"**)#V*oz**)#V*F)#Vz**)#V*F)#V"!"F*.*#"*J serio
us programmers 1 14 *Customizing kits 12 12
1 12 to suit your needs 12 12 Available now
-- VICAR for 1 12 In development 14 14 Pascal MB
ASIC CBASIC dBase II 1 14 *Executive Typing Course 12 14 C.
1 14 *Professional Typists Course 14 12 Soon4 Fo
rtran COBOL & others 1 12 .!"**$"*!"***F)#V"*ozg"F**2"!"m*#"f"*+*"**!(
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%"*&k%!"!"*k%*%" for secretarial training 12 12 Call for information 01-60
7 5844 1 1**** 12 All products available for most computers using
1 12 MSDOS, PCDOS, CP/M-80, CP/M-86, C
CP/M, ConcDos etc 1 1**2 Press 1 Any Key 2 to
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.fu 5PRODUCTS FROM IANSYST2 1**2 1** 12 5IANKEY
Typing trainers2 12 12 5For PROGRAMMERS VICAR2 1 12 Av
ailable now 12 12 1 14
*Typing Crash Course 12 12 4VARIABLES IN CONTEXT ANALYST/REPORTER
21 12 for people new to computers R Press 1 ESC 2 for Help Menu
.wa 600 .en to suit your needs 12 12 Available now -- VICAR for
1 12 In development 14 14 Pascal MBASIC CBASIC
dBase II 1 14 *Executive Typing Course 12 14 C.
1 14 *Professional Typists Course 14 12 Soon4 Fortran COBOL
& others 1 12 6!65ca*+c!!65c9*D!"* k%* c*""*"$*"&*"(*"**",*".*"0* c*4k
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k%!*f!)"*zh*2"*ek*"Kc!"!*f!)"the target, so we'll repeat.You have repeated time
s, so!we'll go on to the next exercise.You are making a lot of errors!3Check tha
t you are sitting straight at the keyboard3and slow down if necessary. If you ju
st want to geton to the next exercise, then and L.-&Searching For Current Exerci
se Number A--PPPP$The error symbols mean as follows....c Capital letter wrong
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/o/gozg!r*r*"*r!"rr2sr*2"*"*,k%*++"*+"r*+"*+"*+"**,$k%*z** Rke IANKEY Crash C
ourse instead.2 Press 1 SPACEBAR 2 to go on
.wa 200 .Hi The QWERTY KEYBOARD. 4IANKEY has a display of
the computer keyboard on the screen. You can use this to check which finger
you should be using. Wait please, to get your key display.2
Press 1 SPACEBAR 2 to go on ..Pd1 ..Fl ..VVVVVVVVVVVVVV
VVVVVVVVVVVVVVVVVVVVVVVVVVVVV ..INSTRUCTIONS TO ALTER THE KEYBOARD DISPLAY. ..
****** 1 2 1 2 1 2 71 2 71 2 71 2 7 1 2 1 2
1 2 1 2 1 2 71 2 71 2 71 2 71 2 7 1 2 1 2 1 2 71 2 71
2 71 2 71 2 71 2 71 2 7 1 2 71 2 71 2 71 2 71 2 71 2
71 2 71 2 71 2 7 7************************************* ..If you
r keyboard is not quite the same as the one ..displayed on the screen you can
edit it in the ..diagram below. If you use Wordstar, use the 'N' ..edit opti
on, as for a program. (With Spellbinder ..you must add "/1" -- so save the fil
e (W/WD) as .."ATI.000/1" ..MAKE A COPY OF THIS FILE, WITH A DIFFERENT NAME,
..BEFORE YOU EDIT IT, IN CASE YOU GO WRONG!!!! ..** Make sure that the slashe
s ("") which mark the ..position between the character keys ar2
1**2 1 5 2 5 1 2
1 5 2 5IANKEY2 5 1 2
1 5 2 5TWO FINGERS TO TOUCH2 5 1 2 1 5
2 5TYPING CONVERSION COURSE2 5 1 2 1 5 2 5FOR AM
STRAD PCW82562 5 1 2 *!"Kc*k%*k%*Bk%*k%*"D!!6bkk%*z"**%**oza*2"D**%M**jo
z*jz*j"*2"D*lz*l"z!"zM*lzM*z"*l"z**l*2"DJ**lz*2"6*l*ozgzW"J!!6M*Db*I Rmz**%**%**
ozC**%*Bk%**"z*"8Kc*"*"*"*"!"*"**"*"*,k%! 1**2
Press 1 SPACEBAR 2 to begin .wa 100 .in .H
I TWO TIPS 4To speed through this introduction in f
uture, hit the F key (for "FAST") at any time. You can exit from the pr
ogram at any time if you ..press ESCAPE and X. IANKEY will then save yo
ur ..press ESCAPE and X. 2 press EXIT and X. IANKEY will then save yo
ur results so that your nex"**%$*D!!0!"F*2"!"*Z!*2"p*k%*k%*+"H*,k%*,k%!"rkk%!
1**%*k%**%**%A*F#"F*F z! F!!6!"F*F*r*0*!b23*"p*F*r*0*!b23*"p**N%!*"!!6!"F**oza**
%/W*pozg*k%*Bk%**%/W*pozg*k%!!6!"F**%t session will start again from where yo
u left off.2 Press 1 SPACEBAR 2 to go on .wa 2
00 ..Fl .highlight INTRODUCTION 4IANKEY Two Fingers
To Touch will help you convert from being a "hunt and peck" or two finger ty
pist to being a fluent touch typist on your computer keyboard. It
assumes that you already know where the keys are on the QWERTY keyboard. I
f you do not know the keyboard you should use a basic course li.. Rev 851007 A
mstrad PCW8256 Version TFT .. Edit the layout later in this file to correspond
to the one on your own .. keyboard. .NL 8number of lessons in course 1
2 1 2 1 2 1 2 1 2 1 2 1 2 1
1 2 1 2 1 2 1 2 1 2 1 2 1 2 71 2 71 2 1 2 1
2 RINUES .. .wa 200 .hi You can CHANGE THIS KEYBOARD Display. 4If
you are using a non-standard keyboard so that the keyboard is not the same a
s the one displayed you can change the display by editing the file
..'IANKEY.000' using your own word processor.2 'IANKEY.000'.2
Press 1 SPACEBAR 2 to go on .wa 200 ..fl ..Hi
The ENTER KEY -- .Hi The ENTER/RETURft" to type some ..of
the rarer ("special") characters. This might be Control or ..ALT. Insert a b
efore that key label to show that it must ..be used for the special characters
. You can then define 1 ..character as follows (at the beginning of the line f
ollowing ..the shifted display. Note the quotes and comma) .."",9 ..This is
for the Tandy Model II. It means that the slash character ..is in position 9. (
Count the character -- not ancillary -- keys ..from left to right, and down, to
find N KEY ..Hi The ENTER KEY -- 4IANKEY usually asks you
to press ENTER to move on to a new screen. As you probably know, on the AMSTR
AD ..is labeled with an arrow . We will call it 12 it is labeled RETURN. We
will call it either 1RETURN2 4or ENTER or CR in our text, to remind you that
you may come across all those terms. Now press it.2 .MOre ..se .in .hi
RECORD DISKS 4IANKEY programs keep a record of your typi
ng speed and acwhich position.) On the ..Tandy "" needs the Control key hol
ding down so we put a ..immediately before the CTL label on the first (lower
case) ..display diagram. (This pushes all the slashes which separate ..the ke
ys one space to the right in that line. This does not matter ..as this will no
t be shown on the display.) .. .. ****** HERE IS WHERE YOU MAKE ANY CHANGES *
******** .. LOWER CASE DISPLAY ---------------------------------------- .LAYOU
T -- means that slash is used as separator. Dcuracy, so that you can see your p
rogress and start again from where you left off each time. We suggest th
at you keep this on a separate disk from the program and lessons, and leave y
our program disk "write-protected", if you have more than one disk drive
Press the relevant movable tag into the end of the disk, so that you do not r
isk destroying any data on the disk by writing over it.2 .hi But the disk
containing your record must not be .hi write protected! So, on a sio not
alter this line! STOP 1 2 3 4 5 6 7 8 9 0 - DELDEL TAB Q W E R
T Y U I O P LOCK A S D F G H J K L # RETURN SHIFT Z
X C V B N M , . / SHIFT .. .. SHIFTED DISPLAY only the character key
s are taken from this .. display. Ancillary keys are ignored. But there mu
st be .. the same number of character keyse diagonally ..in line with e
ach other. (They should be separated ..by three positions). The extra slashes
at the ..beginning of the lines are fillers, so that the keys ..line up. It
is OK to use "" as a "" character, too. ..** Most of the character keys will re
main in the same ..position. If you need to move them then you are ..doing s
omething wrong! .. ..You can also label the ancillary keys around the ..edge
of the keyboard, if they fall within the ..diagram's 4 alterable lines. ..**
in each line as there .. are in the lower case display above! ESC ! "
£ $ % ' & * ( ) + UP TAB Q W E R T Y U I O P ---- CTL
A S D F G H J K L DOWN SHF Z X C V B N M , . "",9 -
- Special Key on Tandy Keyboard is Control 9 or '' in Position 9 .. ..********
******************************************* .. END OF KEYBOARD DISPLAY AREA PR
OGRAM CONTUse two or three characters for a label, so the ..computer will know
that it is not a normal key and ..ignore it. ..** You must use at least SH fo
r SHIFT, TA for TAB, ..and RE for RETURN, (or EN for ENTER, or NE for ..NEWLIN
E), if you want these keys flashed at the right ..time in the program. The com
puter uses those two ..letters to identify these keys, so don't use them for
..other keys (eg "REset"). .. ..** YOU CAN PROBABLY IGNORE THE FOLLOWING SECTI
ON! ..** Some keyboards need another "shi R . Start when you like th
e computer will start when you do. .mo .acc 50 .wpm 1 .te The quick brow
n fox jumps over the lazy, black dog. .se Notice that the computer normal
ly expects you to type a space at the end of the line. The IANKEY pro
gram then gives you "word wrap" just like a wordprocessor does. Al
ternatively you might prefer to hit Carriage Return/Enter at the end of the
line -- particularly if you are a programmer. IANKEY accepts that, too. .mo
DISK ON WHICH TO KEEP YOUR RECORD. ..hi AND THEN TYPE YOUR N
AME .Name !" A !bk%!#bk%!"!"!$"!"*++*0'&k%p*6!1b$bk%*bk%! gk%!gk%**bIk%*
*zozH**k%*k%**MG*!g!"!"*!2!!0%tk%**%*y Note, too, that the program does not for
ce you to correct your errors. In fact, we suggest you leave them. .m
o IANKEY was hard at work all the while you were typing. It measured
your speed, stroke by stroke, noted any errors as you went along and analysed
what sort of errors they were. You did not need to stop and correct your
mistakes -- stopping does not help you to learn. IANKEY is cunningly able
to cope, even if you leave a whole word out. .mo .If SC acc R.. 851007 A
mstrad 8256 .. Copyright 1984 Ian Litterick .ne04 .ch01 .in L
esson 1, Exercise 1 .Hi IANKEY TWO FINGERS TO TOUCH .hi
MAIN MENU Please select your lesson number 1 Lesson 1 Initial
test check your present skill 2 Lesson 2 The correct hand, and using SHIFT
3 Lesson 3 The Index finger's keys 4 Lesson 4 The Middle finger
's keys 5 Lesson 5 The Ring finger and Little finger 6 Lesson
6 PracE Either you are deliberately typing garbage, or you have got Caps
Lock or Shift Lock on. Be warned! the program will keep asking you to repea
t the exercise until you get it at least 80% correct. .se .acc 85 .if sc
acc re You made rather a lot of mistakes there. To get a reasonable feel
ing for your speed you really ought to aim at an accuracy better than 90%. S
low down if necessary and have another practice. The IANKEY program wil
l, of course, help you to improve ytice exercises X EXIT
(i.e. FINISH) The EXIT key takes you to the normal HELP menu. (It correspon
ds to ESCAPE on most computers) Press 1-6 or X and CR or EXIT CR alone
Lesson 1 .GET (0,0,123456X,1 (Test),2 ,3 ,4 ,5 ,6 ,X EXIT,Y,N,Y,1 Test,49,Y)
.IF answer then 1,2 2,1 3,1 4,1 5,1 6,1 99,1 .se .ch02 .in .hi
INTRODUCTORY TEST This short test will allow you to see what sort o
f speed and accuracy you achieve at the moment, so our accuracy very qu
ickly. .mo On some computers the error beep can make you lose character
s. If so, turn it off. (Press EXIT and B for BEEP). .se .acc 90 .If SC
acc 1,03 You were less than 90% accurate. In the test which follows, the
computer will insist on nearly 90% accuracy before it judges your speed.
.se .If SC wpm 1,03 Now that you have got the hang of it, we'll go on to
the short test. .se .ch 03 .ins .acc 50 .re 9 .wpm 1 .hi
A that you can see what progress you are making after following the IA
NKEY Two Fingers to Touch Conversion Course. On the next page is a line
to type. It is the familiar "Quick brown fox". See how quickly and
accurately you can type it, using upper and lower case letters exactly as
shown. The computer will tell you how fast you are going. Whilst you a
re typing, the computer will be doing a number of other things at the same t
ime. We'll tell you about these laterngle drive system you .hi cannot writ
e protect your disk. .mo .hi YOUR NAME 4So, now,
please hunt for the keys that will type your name. You can use a nickname
or initials. This will become the name of your record file(s). Then tell
it which drive you want to keep your record on (usually, A, B or C). Typ
e something short like "jo", "JR", "sue", "ian" (you do not need the quotes)
and remember to use the same name next time!2 ..Hi INSERT THE Rbasic
grounding in good typing habits which will rapidly allow you to reach a
speed of 30 or 40 words a minute. Even 3 hours with IANKEY will help
you develop good habits which will enable you to reach high speeds later.
Use IANKEY now, before you are ruined for life! .wpm 10 .se .wpm 40 .if
sc wp then 01,04 You typed at between 20 and 40 words per minute. You
have obviously been typing for some time, but there is a lot of room for i
mprovement. You have SHORT TEST Because "The quick brown fox..." contain
s all the letters of the alphabet, you probably typed slower than you n
ormally would. On the next page is another couple of lines to type. The co
mputer will analyse your performance. Aim at being at least 90% accurate th
at's no more than about 8 mistakes. .mo .te The dozy hound thinks that t
hat is quite a silly way to behave. All this leaping around cannot be good
for the digestion, and it is irritating for the objec probably already develo
ped some bad habits, which will make it difficult for you to reach fas
ter speeds. .mo IANKEY Two Fingers to Touch Conversion Course will give
you the basic habits for using all your fingers so that you will be able i
n due course and with practice to pass speeds of 40 words a minute. .wpm
20 .se .wpm 60 .if sc wp then 01,04 You typed at 40 to 60 words per min
ute. That is quite a respectable speed -- particularly for a two fingered
typit you leap over. .se The screen now shows the number of words per min
ute and the accuracy that you attained. If the number of words per minute
is very different from what you think you are capable of, you should check
that the program has been properly installed. .mo .If SC acc RE We have j
ust a little suspicion that you may not be typing as conscientiously as we wo
uld like. The demo program wants to treat you to some illuminating insi
ghts based on your typing performancest. Typing at such speeds with two fi
ngers is quite hard work. To reach 60 wpm and faster with all your finge
rs is much less tiring. And you will find that it is practically impossible
to type any faster than that unless you get out of your two finger habits
. .wpm 40 .se .if sc wp then 01,04 You typed at over 60 words per minute,
which is as much as many professional typists do. Depending on how much
typing you do it may not be worth spending too much time improvin. It knows
that random typing like that does not give it the information it wants. T
ry again please.... .Se .acc 86 .If SC acc RE To get a reasonable feel
ing for your speed you really ought to aim at an accuracy better than 90%.
Slow down if necessary and have another practice. The IANKEY program w
ill, of course, help you to improve your accuracy very quickly. .mo Make
sure that you have got Caps Lock or Shift Lock switched off. On some comput
ers the error beep g your skills. It is hard to believe that you typed wi
th less than the full number of fingers! Perhaps you have been using
IANKEY already! .mo If you typed with two fingers it may be worth c
hecking that the program is properly installed and that it is showing the co
rrect timing. If you can really reach such speeds with two fingers, then yo
u are doing pretty well it will be interesting to see how much you can impro
ve by using all your fingers. .wpm 60 .se .ch 0 can also make you lose char
acters. If so, turn it off. (Press EXIT and B for BEEP). .Se .wpm 20 .if
sc wp then 01,04 You typed at less than 20 words per minute, which makes
you a real beginner (unless you were interrupted in the middle,
in which case you may want to do the test again). You should probably be
using IANKEY Crash Course rather than this course which is for people who a
lready know the keyboard. .mo IANKEY Crash Course will give you a quick
4 .in .re 3 .acc 90 Do not be disappointed that your performance will
get worse for a little while during the time you are working on becoming a t
ouch typist. The main purpose of designing Two Fingers to Touch the way
we have done is to reduce to a minimum this frustrating time when you are t
yping more slowly than you used to be able to do with only two fin
gers. That is why we do NOT make you start again from scratch. .mo .hi
What would you like to Rry about the characters that you are p
robably putting on the screen in the process! And do not worry about being a
ble to get the labels off again. They are designed to be easily removed! .mo
.fl 6yhn Now mark the keys 6 Y H and N (which should now be flashing on
your screen) with a different mark. We suggest you use the RED labels. .
hi These columns show dividing lines for your hands. There is also a double d
ividing line marked on the screen display. .mo .fl 1qaz2wsx3edc your exist
ing productivity plummet. No need to pound away at boring "asdf jkl" garba
ge. We shall build on the skills which you already have, not ask you to forg
et them. You already have a good idea where all the keys are on the keyboard.
You can continue to use that knowledge. .mo For TWO FINGERS TO TOUCH w
ill do most of its re- education for you whilst you are at your normal
work. It will require only a little extra self- discipline from you, an
d only a small addi4rfv5tgb From now on Use only your left hand for striking t
he keys to the left of the marks .mo .fl 6yhn7ujm8ik,9ol.0p And use on
ly your right hand for striking all the keys to the right of the marks. Yo
u can practice that for a while in the line below, if you like. Type whatever
you like and press return when you have finished. .mo Let's do a little exer
cise to practice that. On the next page you will find a couple of lines of
text written on the screen. Copy them indo now .. This is an example
of the use of a menu with the .GET statement .. Please select your lesson numbe
r 2 Start Lesson 2 T Do Test again M Return to Main Menu X EXIT (i.e. FIN
ISH) The EXIT key takes you to the normal HELP menu. RETURN or CR also means
ENTER or NEWLINE Press 2, T M or X and CR, or EXIT. CR alone Lesson 2
.GET (0,0,2TMX,2 Lesson 2,T Test,M Main Menu,X EXIT,Y,N,Y,Lesson 2,50,Y) .IF
answer then 2,1 1,3 1,1 99,1 .se the lines underneath. Check that you do
not have caps lock or shift lock on. The computer will mark your errors as
you make them and register your speed as you are typing. Do not worry
about the mistakes at the moment, or correct them. .mo .fl 5tgb Don't
forget to use the left hand for the keys on the left and the right one fo
r the keys to the right. But apart from that use whichever fingers you li
ke for the moment. .te at 65 she took the boy of 56 to be her young groom.
.se Do not take too much notice of your errors at this stage. Of course
, we cannot tell whether you are using the right hands or not. It is impor
tant that you check that for yourself. .mo Notice that the program expec
ts you to type a space at the end of the line, as if you were using a word
processor, or it will accept a RETURN if you prefer. .se .ch02 .in Before
we go on, would you like to go through that exercise again Answer Y or N,
or just press RET.. 851007 Amstrad 8256 .. Copyright 1984 Ian Litterick .ne16
.ch01 .in Lesson 2, Exercise 1 .fl 5tgb .hi
LESSON 2 Put a mark on each of the keys 5 T G and B on your key
board. They wil normally be flashing on the keyboard display below thi
s. We suggest that you stick one of the BLACK labels provided on a corner
of the top surface of each key. Position it so that you can still see the l
etter on the top of the key. .mo Do not worURN to press on. .get (0,0,YN
,Yes,No,n,y,y,Onwards,78,Y) .if answer 2,1 2,3 .se .ch 03 .in .hi
TWO FINGERS TO TOUCH As a moderately experienced two finger typis
t, TWO FINGERS TO TOUCH is designed for your needs. In just four sessions,
we set you on the road to fluent and accurate touch-typing. Each session wi
ll take you upwards of about an hour of your valuable time, TFT is designe
d to wean you away from your existing bad habits gradually and without maki
ng Rry key, and as time goes on you will find yourself typing without l
ooking for quite long bursts. .mo .hi 2) You are not a concert pianist
(if you are, this paragraph does not apply!). Your fingers are probably
stiff, if not actually arthritic. It is quite difficult to move your r
ing fingers, for instance, independently of the middle and little fingers.
Your little fingers are weak and clumsy. Acknowledge this and your limit
ations. If you find it difficult tabout getting the right fingers on the r
ight keys. Just make sure that you are using the correct hand. .mo The
next exercise is also more than one line long. Press a space or RETURN at th
e end of the line. If you make a mistake do not worry. Don't bother to co
rrect it, just carry on typing. After a stroke or two the program will catch
up with you again. .te the tough thugs bought 766 nightshirts then they hung
them on 455 coathangers so that they think they have very bright, o strike a
key like the "A" with your little finger then do not miskey every "A" in yo
ur attempt to reach perfection. Use the nearest finger that you can use rel
iably, instead. Later we will suggest some exercises which will help to o
vercome the problem. .mo .hi 3) Do not bother with trying to type rythmic
ally. Good typists, and that will include you, type some common letter
combinations (the word "the", for example) much faster than other, rarer c
ombinations. You wfun clothes, but you might just call their stuff very fri
ghtful junk. .se Already you should notice that your hands are moving about
over the keyboard a lot less than they used to. You are starting to be mor
e economical in your movements. By the time you have finished using TWO F
INGERS TO TOUCH, your hands will hardly move at all. .mo From now on w
e shall repeat an exercise whenever you do not meet the speed and accuracy ta
rgets set for you. If they are too difficult or ill do so too. If you try
to type at a speed which you can type rythmically, you will just slow you
rself down so that your whole pace is that of your slowest movements. .m
o .hi 4) Do not be afraid to move your hands. It is true that good touc
h-typists do not move their hands much, but their hands are probably more nimb
le than yours. On a computer it is often impossible to do much typing witho
ut moving your hands. Sometimes even the RETURN/ENTER key and the SHIFT keys
are ttion to your precious time, which should soon pay itself back.
.HI SOME COMMON MYTHS But first, some ideas to get out of y
our head .MO .HI 1) You are not a copy typist. For the most part the w
ork that you are doing does not come off other pieces of paper, but out of y
our mind. Copy typists need to be able to look at the sheet of paper from
which they are copying. So, for maximum productivity, they need to be able
to type without looking at the keoo far away to reach by stretching a fing
er, and you must usually move your hand to reach keys like CONTROL,
TAB and many of the symbols keys. It can be much less effort to move your wh
ole hand than to contort yourself by trying to stretch a little fing
er. .mo You can move your hand when necessary, and move it back quickly
to the home keys with a quick glance to check your position. In Lessons
4 and 5 we will give you some useful tips about how to sit and yboard. .m
o You do not have to be so skilled. As most of what you type comes fro
m your own head, it does not matter so much if you look at the keyboard.
Because you use a computer, a lot of your typing will use control and fun
ction keys, numerals and symbols like ()*+. Even a professional typist wi
ll usually look at the keyboard to type these. Use your eyes without guilt!
They will help you to type quickly and accurately. Certainly you will not n
eed to look at evehow to hold your hands on the keyboard. .mo .ch 04 .in
.fl 5tgb .HI ANOTHER EXERCISE Let's get a bit more p
ractice of typing with your two hands using their own separate keys. Don'
t forget use the left hand for the keys 5TGB and those to the left, and yo
ur right hand for the keys to the right. .mo For the most part you wil
l probably just use your index fingers. If you want to use other fingers as
well, then do so. Do not worry at this stage R use at the moment), to u
sing as many as you reasonably can. By making the changes a little bit a
t a time, and using your normal work as practice for each change, you can
turn yourself into a touch typist without a great effort and without having t
o start again from scratch. That will mean that you can type faster,
more accurately and in a much more relaxed style. .mo The procedure is,
at each stage .hi ** Make a small change .hi ** Practice it until it
commagine moving BOTH little fingers down to their respective SHIFT keys. The
n think what the letter is and start moving the correct finger to it, instea
d of moving that hand to the SHIFT. Meanwhile allow the other little f
inger to continue down to its SHIFT and to hold it down. .mo If you fi
nd using your little finger too difficult, then do not be too ashamed of hitti
ng the SHIFT with your ring finger, instead. The same goes for a CONTR
OL key or ALT key, which you may nes naturally .hi ** Make another change
. Each TWO FINGERS TO TOUCH lesson starts you off with another change. W
hen you have got that right, you come back to TWO FINGERS TO TOUCH for anothe
r. .mo .HI THE SHIFT KEYS Actually, we are going to
try to change not one but two habits in this first lesson. We have alread
y dealt with using the correct hands for the right and left sides of the k
eyboard. We will also try to start using the correct fingers for eed to use
quite often on a computer. Typing whole words in upper case (like the "S
HIFT" above) is awkward if you are having to change fingers on the SH
IFT keys all the time. Get in the habit of using the CAPS lock or SHIFT lock
keys. Or don't be afraid of turning into a two finger typist again briefl
y whilst you use one hand to hold down a SHIFT. Whatever is quickest and easi
est for you is likely to be the most accurate. .mo .HI AN
EXERCISE WITH SHIFT the SHIFT keys. .mo The SHIFT keys are a nuisance. Y
ou usually use them at least once every sentence. For touch typing you are
expected to use the SHIFT key with the little finger on the opposite side
of the keyboard to the letter which you want to put in capitals. (It is
awkward to try and press SHIFT with the same hand that you are using to
type a character.) But the little finger is weak and finds it hard to str
etch to the SHIFT key. .mo And there is anoth On the next page is an
exercise using the SHIFT keys. Try it using the correct hand for each half
of the board and the correct SHIFT keys. .mo .ch 06 .te This Neat Row Of
Typing Must Be Very Funny For You To Be Just Typing By Using The Many Fingers
That You Have Been Firmly Trained To Use By The Nine Very Brainy Typing Bof
fins, Johnny. .se You probably slowed down a lot on that exercise bec
ause you had to think about all those SHIFTS. With practice it will become
inser problem. Let's explain. When we type fast we seem to put several
finger movements into a mental "buffer". When you type "the", for inst
ance, you are already thinking where the H is and starting to think about the
H movement, even before you hit the T. That is why we can type much faster
in words, than if we are shown letters one at a time. (And that is also
why there is little point in typing exercises which give you one letter at
a time, or which ask you to pratoo easy you can change them by pressing E
XIT and then S. .mo .if sc wpm then re You did not reach your speed targ
et, so we shall repeat the exercise. .se .if sc acc then re You did no
t reach the accuracy target, so we shall repeat the exercise. .se .ch 05
.in .hi TWO FINGERS TO TOUCH's STRATEGY What are we trying to
do in TWO FINGERS TO TOUCH We are trying to help you change your hab
its gradually from using two fingers (or however many you ctice nonsense
words like "asdlk". They do not allow you to practice the "buffering".) .mo
Normally we can read and store the movements in our mental "buffer" in th
e same order that we will have to type them. Not so with SHIFT. To type "The
" we have to press SHIFT before we press T, but until we have thought abou
t the T we do not know which little finger to use for the SHIFT. .hi It ma
y help you to try the following As soon as you see a shifted letter, think
"SHIFT" and i Rtinctive. .mo You can set your own skill level targets by pr
essing EXIT and S, whenever you want. We suggest 90-95% for accuracy and
whatever you can reasonably do for speed. You can also set the number of t
imes which you are prepared to repeat an exercise. How about pressing EX
IT and setting your targets now .mo .if sc wpm then re You did not reach
your speed target, so we shall repeat the exercise. .se .if sc acc then
re You did not meet the target for accura practice then to come back to
the program for the next session and so on. That way you consolidate your me
mory of each change as you go along. But some impatient souls prefer t
o go straight through the program at one or two long sittings. This sh
ould also be effective, and you can come back to the program for extra pract
ice as you feel the need and inclination. .mo .ch08 .in .hi The letter
B Because the letter B (which belongs to your left index finger) cocy,
so we shall repeat the exercise. .se .ch 07 .ins .hi
END OF LESSON 2 In a moment you could go back to your normal work, and
carry on typing. From now on, use both hands for the correct halves of the
keyboard, and use the correct little finger for each SHIFT. Make a not
e in your diary for a week or two weeks' time to come back for the next lesso
n. If, by then, you have not practiced enough, if you are not automa
tically using the correct hanmes further over to the right of the keyboard th
an the 6 (which you type with your right hand), it is easy to confuse it, and
to hit it with your right finger instead. So here is some special practic
e of the letter B. .mo .te Bobby, a babbling bibliophile dabbled rabidly in
books. Being badly bibulous to boot, his best books were liable to be dribbl
ed over, probably bringing horrible ribaldries from his buddies. .se From n
ow on we will not give you any specific message to sd on each half of
the keyboard and the correct little finger for the SHIFTs, then practice so
me more. Make a note in your diary for another week's time. .mo Every ti
me that you look at your keyboard with its marks remember that it is remindi
ng you to change your habits. Leave the TWO FINGERS TO TOUCH package arou
nd somewhere by your computer, so that it reminds you to check your typ
ing. We also suggest you do some finger exercises. It is quite unnatura
l to move ay which target you have not met when you repeat the exercise.
You should be getting used to the fact by now that you will repeat an exerci
se if you do not make your targets, to give you another chance to do it bett
er. .mo .if sc wpm re .se .if sc acc re .se .ch09 .in .hi Let's hav
e some more practice of capitals. .mo .te Bebe Blab, From The Bible Belt Ho
bo Mob, Was Able To Bore Baby Moby Into Dumb Sobs. But Bob Ruben Bopped Beb
e Such A Drubbing That He Bled Volubly An your fingers around independent
ly of each other, as you need to do for typing. Exercise your fingers, d
rum them on the steering wheel when you are driving, move each one separa
tely. Help them to become more supple. .mo .HI SOME MORE P
RACTICE There are now some more exercises to consolidate your work, w
ith special practice relevant to what you have just learnt. Because they a
re specially designed to use certain letters, they do not neced Vis
ibly From Black And Blue Ribs. .se You may not have realised that you can st
op in the middle of an exercise by pressing EXIT the timer stops for a
s long as the HELP menu is showing. This is useful if you are interrupted,
by the phone for instance. .mo .if sc wpm re .se .if sc acc re .se .
ch10 .in From now on there are another five exercises to practice usi
ng the correct hand and using the SHIFT keys properly. We will not introduce
them separately but jussarily make too much sense! There are also a lot
more general practice exercises in Lesson 5, which you can go to at any tim
e. But the main thing is to practice in your daily work. If you want to
finish now (or at any time) press the EXIT key and X for EXIT. If you want
to carry on practicing then press RETURN. We suggest a little more practi
ce. .mo .hi How long does it take The best way to use TWO
FINGERS TO TOUCH is to use it then to go away and Ringers are strong an
d agile. (It is true that the little fingers have more than their share
of keys too. This is too bad. The QWERTY keyboard was not designed for touch
-typing and we just have to live with it.) .mo So this lesson is to learn to
stop doing something. STOP using your index fingers for anything except
their proper keys. Don't worry, yet about your other fingers. Just make sur
e that you ONLY use the index fingers for the keys which belong to them. This
is a smalone Lesson 3 .GET (0,0,326MX,3 Lesson 3,2 Lesson 2,6 Lesson 6,M Ma
in Menu,X EXIT,Y,N,Y,Lesson 3,51,Y) .IF answer then 3,1 2,1 6,1 1,1 99,1 .se
#9A "QY" E #9B "Q'#7F'" E #9C "QD" E #9D "QS" E #9E "QE" RE .Hi Let's t
ry to reach the target speed. .Se .If SC WP Then 01,19 .Hi Well done, you
reached the target speed so lest go from one to the other, without stopping. .
mo .te By night, 65 big Cabbage White butterflies and 57 Tiger Moths tugged
huge nut trays into the hut but their gut was not yet able to get the Net We
ight ground into batches of nut butter. .se You may also be interested to kn
ow that you can turn the keyboard display off if you want to type without it
. Press EXIT and K for KEYBOARD. .mo .if sc wpm re .se .if sc acc re .se
.ch11 .te My bed-ridden mum had hid her hat by her bed and hugged her big d
aughter. Why, she thought, might I begin to get better when I have only just
caught the aching ague But why in the night .se .if sc wpm re .se .if sc
acc re .se .ch12 .te Andrew Cleaver-Downs Expected Gill Hands To Phone Yo
ung Xavier Zenda If John Kent Wanted More Valid News On Police Questioning F
ormalities Under Lord Ben Sassin's Regime. .se .if sc wpm re .se .if sc ac
c re .se .ch13 .te Bunnies run hither and thither through the brush during
the d.. 851007 Amstrad 8256 .. Copyright 1984 Ian Litterick .ne16 .ch01 .in
.HI LESSON 3 Now that you have got used to using b
oth hands, and to disciplining yourself about which part of the keyboar
d you use, you can take the next little step towards typing with all your fin
gers. At the moment you are probably doing most of the work with your
index fingers. The next stage is to control how much you use them. Even whe
n you touch type properly, your iay but retire to shelter for the night.
They thus bring the young generation up in safety, but with high mortality no
netheless. .se .if sc wpm re .se .if sc acc re .se .ch14 .te 67 venera
ble burghers from 56 Dutch boroughs taught their bright youths the beginnings
of being good citizens. In Holland having 45 Guilders helps you to buy plen
ty of things. .se .if sc wpm re .se .if sc acc re .se .ch15 .te Birmin
gham, Alabama, got a name from Birmingham in the Midlands of Engndex fingers h
ave to do more than their share of work... .mo .fl As you can see, the
screen display is marked with slanting columns. At the top of the column
s are letters to tell you which finger a touch typist uses to hit the keys
in each column. L for Little, R for Ring, M for Middle and I for Index. .mo
.fl 4567rtyufghjvbnm You can also see that the index fingers already look
after two columns each, whilst other fingers only have one. This is fine b
ecause the index fland. This Birmingham in Great Britain formerly claimed to
be the centre of much industry but today this has mostly gone. .se .if sc w
pm re .se .if sc acc re .se .ch16 .in .HI THE END OF LES
SON TWO .hi What would you like to do now 3 Start Lesson 3 2 R
eview Lesson 2 6 Go on to Lesson 6 (General practice) M Return to Main Menu
X EXIT (i.e. FINISH) The EXIT key takes you to the normal HELP menu. Press
3, 2, 6, M or X and CR, or EXIT. CR R and targets. If you want to p
rint them out on the printer or on the screen you can press EXIT and then P
at any time. .mo .HI IF YOU WANT TO QUIT If you want to
quit now, press EXIT and X. Don't forget, when you come back to the prog
ram, to ask to go to the beginning. The menu at the beginning of Lesson 1,
Exercise 1 will allow you to choose to go on to Lesson 4. Otherwise, the prog
ram will remember that you have got to this point and will bring you bagai
n to get your accuracy up to the target level. .se .ch 02 .in .HI
KEEP YOUR INDEX FINGERS TO THEMSELVES The next exercise gives practice
on using keys next to each other -- some are index finger keys and some are
not. Don't get them muddled up. .mo .te using ring/index fingers next to eac
h other The minimum amount of vines Mike, or Micky, ever harvested must have
been around the momentously mucky vineyard where Vicky once received him, cr
unching fierce jaws on kilos ck here to carry on the practice exercises. .mo .
ch 05 .in .hi MORE PRACTICE From now onwards there ar
e another 10 exercises to practice not using your index finger on keys whic
h do not belong to it. We will not introduce them separately but just
go from one to the other, without stopping. .mo .te trying to "trap"
into using index fingers by trills on 3rd and 4th Where were you said Timothy,
who joined 34 limber women, exercising violently besides of juicy grapes. .s
e From now on we will not give you any specific message to say which t
arget you have not met if you repeat the exercise. You should be getting us
ed to the fact by now that you will repeat an exercise if you do not make
your targets, to give you another chance to do it better. ..mo .if sc wp
m re .se .if sc acc re .se .ch 03 .in Here is another exercise to pract
ice the same finger locations. .mo .te Vera and Jim liked Fred, their fema
le friend,all step, and you should not find it too difficult to get used to.
.mo .HI MARK THE INDEX FINGER KEYS We suggest you mark the
keys in the same way that you marked the keys when you did the first lesson.
.fl 4rfv Mark the 4 R F and V keys in the same way that you marked 5 T
G and B last time, with the BLACK labels. .mo .fl 7ujm And mark the 7 U J a
nd M keys the same way that you marked the 6 Y H and N (with RED). .mo .H
I A PRACTICE EXERCISE So because her jumping frog, Freddy ju
nior, touched a nerve in both their hearts. But their dim dog, Fido, picked
up and ate the diminutive creature. .se .if sc wpm re .se .if sc acc re
.se .ch 04 .in .HI THE END OF LESSON 3 That is all ther
e is to learn for this stage of TWO FINGERS TO TOUCH. You could leave the pro
gram now. In your ordinary work for the next couple of weeks, practice no
t using your index fingers for anything except their own keys. Make a now we
will go on to an exercise, to practice using the index fingers ONLY for
the keys which "belong" to them. Use any fingers for the other keys -- whi
chever finger is the most convenient. You will probably mostly use your middle
fingers, but if you want to start using your ring fingers and little f
ingers, as well as your middle fingers, then do so. .mo But concentrate on
one thing only .hi Don't use the index fingers except on their marked .h
i keys. Use the lef note in your diary for two weeks time to come back to
IANKEY again for the next stage. Be disciplined over where you put your f
ingers on that marked keyboard. .mo Of course there is plenty more practic
e material if you have got time and would like to carry on and use the extr
a facilities of the IANKEY program to consolidate what you have learnt s
o far. .hi YOUR RECORD You may not have realised that
the IANKEY program is keeping a record of your scorest index finger on the bla
ck keys and the right index finger on the red keys. .te using ring finger
keys Dick did not write the right kind of blurb in the very difficult field o
f bright book covers. He preferred to hide his light, under fiercely livid
covers, it is true, inside the jacket. .se Don't forget that you can press
Space or RETURN at the end of the line. .mo .if sc wpm re Your speed
was less then the target so let's do the exercise again. .if sc acc re T
ry a Rnu,X EXIT,Y,N,Y,Lesson 4,52,Y) .IF answer then 4,1 3,1 6,1 1,1 99,1 .s
e e, dabbled rabidly in books. Being badly bibulous to boot, his best book
s were liable to be dribbled over, probably bringing horrible ribaldries from
his buddies. .Se .if sc wp re .se .if sc ac re .se s a special practice
exercise. .mo .te Anastasia was adamant that shamateurism had actually mana
ged -- lamentably -- a dama to discover a rhyme. .se .if sc wpm re .se .if
sc acc re .se .ch10 .te Jemima Puddleduck licked the killer milk she like
d but Mick's Mum had decreed that she should feed from low fat milk produce.
Clearly she's concerned about the feline cholesterol problem. .se .if sc wp
m re .se .if sc acc re .se .ch11 .te Just judge if Jill can bring the you
ng kids here to join in the fighting which you can decree should be illegal.
If they receive full teaching they should learn the minimum amount quickly.
.se .if sc wpm re .se .if sc acc re .se .ch12 .te Accidentally, the tw
elve climbers cudgelled their bearers to an early death by abseiling from an
exposed face without checking that there was nobody beneath them as they drop
ped. .se .if sc wpm re .se .if sc acc re .se .ch13 .te Tim, once the K
ing of the Night Riders, as the Hell's Angels were known, was very severely
frightened. His 87 fellow riders were after his blood on account of some imag
ine.. 851007 Amstrad 8256 .. Copyright 1984 Ian Litterick .ne16 .ch01 .in
.HI LESSON 4 .HI CONTROLLING YOUR MIDDLE FING
ERS Now that you have got used to using both hands and to keeping the ind
ex fingers to their own keys, you can take the next little step towards touch
typing. The next stage is to control how you use the middle finger, jus
t as you have been doing for your index finger. Each middle finger only has
4 keys to look after, so this isd slight. .se .if sc wpm re .se .if sc
acc re .se .ch14 .te The reverence owed to regal deities requires frequent
reminders to the faithless, who otherwise take their name in vain. Lese maje
ste (with accents) is the French for the phenomenon. .se .if sc wpm re .se
.if sc acc re .se .ch15 .te Meandering rivers wind their tranquil way acr
oss gentle plains forest trees rustle their green and brown leaves and wave
their slender branches in the wind, bending beneath the bree87 paunchy men,
the youngest 23, the oldest a minimum of 89, like him in fine voice. .se .if
sc wpm re .se .if sc acc re .se .ch06 .te From the keyboard layout itse
lf inspired, A four line poem is written and sired, Using key juxtapositions
for muses, Very fine verse is created for youses. .se .if sc wpm re .se
.if sc acc re .se .ch07 .te The rhyming craft of a poetaster is Like the
art of a chef, cooking pastries, A maximum of air and a minimum of stodginess,
Gives pze. .se .if sc wpm re .se .if sc acc re .se .ch16 .in .HI
THE END OF LESSON THREE .hi What would you like to d
o now 4 Start Lesson 4 3 Review Lesson 3 6 Go on to Lesson 6 (General pract
ice) M Return to Main Menu X EXIT (i.e. FINISH) The EXIT key takes you to
the normal HELP menu. RETURN or CR also means ENTER or NEWLINE Press 4, 3, 6
, M or X and CR, or EXIT. CR alone Lesson 4 .GET (0,0,436MX,4 Lesson 4,3
Lesson 3,6 Lesson 6,M Main Meerfect puff pastry, bar the podginess. .se .if sc
wpm re .se .if sc acc re .se .ch08 .te Look like you like the mike and
make music jingles. Jemima's juke box kills childrens' ears. Jill puked on
pickled dills. Mull mills grind feed for vegans who like dried lentils. .se
.if sc wpm re .se .if sc acc re .se .ch09 .te Penning verse is very co
nsuming of time. Vacuous vortices of cees and vees without limits Are typed
out in a minimum number of minutes, But hours it takes Rckly. 43 rioted whi
le 87 police created joyful havoc with sticks and stones. .se .if sc wpm re
.se .if sc acc re .se .ch 03 .fl asdfjkl .HI THE HO
ME KEYS You probably know about the concept of "home keys". These are the
keys ASDF and JKL which you use as a base for your fingers. When you are typi
ng keep your fingers poised, hovering over these keys. .mo We have delib
erately not introduced the home keys before now because they are often giv
en too ckers. .mo .fl 3edc8ik, .HI THE MIDDLE FINGER KEYS
So now you will use your middle fingers to hit the GREEN and WHITE keys. Y
ou should by now have learnt to use your index fingers only for the keys in th
eir own columns. You should be accustomed to using your middle fingers, and
possibly other fingers as well. .mo .HI THE NEXT STAGE
The next stage of the TWO FINGERS conversion course is to make yourself u
se the middle fingers for the marked much importance. Do NOT, for instan
ce, attempt to bring all the fingers back to the home keys between key st
rokes, as is sometimes taught. If you are typing a word like "better" you wast
e time if you keep moving your index finger back to the F. .mo Use the
homes keys as a reference point when you start typing and glance at the keyb
oard from time to time to check that your hands are still in the right place
-- particularly if you have just pressed a key which has made you mov keys in
their columns ONLY. That means you will have to start using your ring finge
rs, if you are not doing so already, and perhaps your little fingers, t
oo. .mo .HI A PRACTICE EXERCISE So now we will go on t
o an exercise, to practice using the middle fingers -- as well as the in
dex fingers -- ONLY for the keys which "belong" to them. Use either your ri
ng or your little fingers for the other keys -- whichever finger is th
e most convenient. e your hand (like BACKSPACE). But do not feel that
you have to keep each finger based rigidly on its home key all the time. You
can move fingers from key to key directly. .mo .HI REFE
RENCE POINTS Some keyboards shape the home keys differently from the othe
rs so that you can FEEL where your hands are. They may be more dished, o
r there may be a little pip on one of them. .mo If your keyboard is no
t like that, you can attain the same effect yoursel .mo So concentrate o
n one new thing only .hi Use the middle fingers only on their own columns o
f .hi GREEN and WHITE keys. .te concentrating on ring/middle finger keys
The weak-willed William decided to accept the word of love-lorn Linda. The so
-called weaker sex succeeded in making him learn to like kissing games, so l
ucky William lived in limbo. .se Don't forget that you can press space or R
ETURN at the end of the line. .mo .if sc wpm re Your speed was less t
hen thf when you have finished the TWO FINGERS course leave our stickers on t
he F and J keys, so that you can sense them with your index fingers when y
our hands are in the right place. .mo .te Wessex is a region of England, wher
e fierce Roman soldiers hardly reached. Millions of killers (that should re
ad thousands) would have quickly slaughtered them, willy nilly. .se .if sc
wpm re .se .if sc acc re .se .ch 04 .in .HI SLANTING
COLUMNS You will have noticed the target so let's do the exercise again.
.if sc acc re Try again to get your accuracy up to the target level.
.se .ch 02 .in .HI KEEP YOUR MIDDLE FINGERS TO THEMSELVES The
next exercise gives practice on using keys next to each other -- some are mi
ddle finger keys and some are not. Don't get them muddled up. .mo .te usi
ng ring/middle/index fingers next to each other 78 junkies lunched on 89 rolls
filled with heroin. 23 were really ill, 34 were dreadfully si comparatively
easy. .mo .fl 3edc8ik, .HI MARK THE RING FINGER KEYS Again
, we suggest you mark your keyboard, to remind you of where you should be u
sing your fingers in your daily work. .mo .fl 3edc We suggest you mark
the ring finger keys in the same way that you marked the index finger keys w
hen you did the first lesson. Mark the 3 E D and C keys with labels wit
h GREEN stickers. .mo .fl 8ik, And mark the 8 I K and , keys with
the WHITE sti R is because we are deliberately giving you unusually
awkward things to type. And of course you are trying new habits. If you
want some more normal typing to practice on and to test your speed, then
use the practice sessions in lessons 5, 6 and 7. .mo .HI
IF YOU WANT TO QUIT If you want to quit now, press EXIT and X. Don't
forget, when you come back to the program, to ask to go to the beginning. T
he menu at the beginning of Lesson 1, Exercise 1 wat the keys are arranged i
n columns which slant up to the left. You may find it easier to reach all
the keys and to type accurately if you take account of this do not have
the keyboard exactly square on facing you, but have the left hand side s
lightly further away, so that the keyboard is not straight and the columns
are more vertical. This will make the forward and backwards movements o
f your fingers from top to bottom of the keyboard less of a stretch and contor
tionill allow you to choose to go on to Lesson 5. Otherwise, the program will
remember that you have got to this point and will bring you back here to c
arry on the practice exercises. .mo .ch 05 .in .hi MORE
PRACTICE From now onwards there are another 10 exercises to practice usi
ng your middle and index fingers only on the keys which belong to them. We wil
l not introduce them separately but just go from one to the other, without
stopping. .mo .te Ink black mi. They will not have to move to the side s
o much. Here is another exercise to practice the same finger locations. .
mo .te It is less difficult to use the keyboard if you do not exceed your ow
n abilities. Do not rush into excessive speed or feel obliged to keep worki
ng if your fingers are over tired. .se .if sc wpm re .se .if sc acc re .s
e .ch 04 .HI THE END OF LESSON 4 That is all there is to
learn in this stage of TWO FINGERS TO TOUCH. You could leave nk are rarely
found fit, though they are exceedingly vexing to wild widow spiders. Mild-m
annered minions join the junior killers to give advice for freedom fighters ev
erywhere. .se .if sc wpm re .se .if sc acc re .se .ch06 .te Wednesday
is the middle day of the week before we have become very tired. While Friday
gives the minimum of productivity for people who like long weekends, like my
self and most friends. .se .if sc wpm re .se .if sc acc re .se .ch07 .t
e Luminous blthe program again now. In your ordinary work for the next coup
le of weeks, practice not using your middle fingers for anything except
their own keys, as well as your index fingers. Make a note in your dia
ry for two weeks time to come back to IANKEY again for the next stage. Be
disciplined over where you put your fingers on that marked keyboard. .
mo Once again you can carry on with the extra practice material if you h
ave got time and would like to make use ue-black boiling billies of onions
were simmering merrily on the fire beside the clinging, sodden, dewy, jungl
e. Envious explorers longed to join such expeditions. .se .if sc wpm re .
se .if sc acc re .se .ch08 .te Jealous Jill jilted her unkind and thoughtl
ess lover Mike. If he had listened or heard her horrified sobs he would sur
ely have tried to relieve her misery with some kindnesses. .se .if sc wpm r
e .se .if sc acc re .se .ch09 .te Kentucky is one of the United Sta the
features of the IANKEY program to consolidate what you have learnt so far.
.mo .hi YOUR RECORD Don't forget that the IANKEY pro
gram is keeping a record of your scores and targets. If you want to pri
nt them out on the printer or on the screen you can press EXIT and then P
at any time. On the exercises that you have just done -- and which
follow in this lesson -- your speed is probably a lot slower than when
you type normally. That tes of America as any child knows stateside. It has
exported cooked chicken chunks with French fries world- wide -- not quite as
successfully as Coca Cola. .se .if sc wpm re .se .if sc acc re .se .ch1
0 .te If Minnie the Minx was jinxed, would Billy the Kid be kicked Lick a l
ocked car door in severe frost and your tongue may be painfully stuck to it.
It could be very difficult to unfreeze you. .se .if sc wpm re .se .if sc
acc re .se .ch11 .te 38 vehicles drove down the RET (0,0,546MX,5 Lesson
5,4 Lesson 4,6 Lesson 6,M Main Menu,X EXIT, Y,N,Y,Lesson 5,53,Y) .IF answer the
n 5,1 4,1 6,1 1,1 99,1 .se *%*$£k%**"f*"£ya*"*"*"*"!"*"*"*"*k%!"**,%*C!!0!"(£*
"!"*H!&*"*k%*k%*+"*£*k%*k%!"jk%!O**%n your other fingers. If you find that the
little finger is a problem, it may be best to use your ring finger instead
. This may not slow you down too much. .mo It is better to be accurate th
an to be a couple of words a minute faster, and if that means taking s
ome of the load off your little finger, then so be it. .mo .fl 2wsx9ol.
So now we will go on to an exercise, to practice using all your fingers f
or the keys which belong to them, and ONLY for the keys which "beroad from on
e end to the other. 38 drivers remarked on the severe difficulty of avoidin
g the holes in the road surface, which were very plentiful. .se .if sc wpm
re .se .if sc acc re .se .ch12 .te Do be careful to avoid killing your li
ttle sisters with kisses or kindnesses. Even grown up girls or women can be
very vulnerable to such feelings -- so do little brothers, too. .se .if sc
wpm re .se .if sc acc re .se .ch13 .te Fickleness is something which can
be the common .. 851007 Amstrad 8256 .. Copyright 1984 Ian Litterick .ne16
.ch01 .in .HI LESSON 5 .hi CONTROLLING YOUR RI
NG AND LITTLE FINGERS Here is the last little step towards touch typing.
You should now be using your middle and index fingers on the right key
s. You are also using your ring fingers -- and perhaps your little finger
s, too. But you have not been worrying about using them for the right keys.
So the next stage is to control how you u result of assertion training.
It need not, however, and trainers would doubtless maintain that it just is
not necessary in the least. .se .if sc wpm re .se .if sc acc re .se .ch1
4 .te Unthinking meddling or tinkering with life jackets sometimes even resu
lts in death. You might think it murder even, if you judge it in a very str
ict, upright kind of light. .se .if sc wpm re .se .if sc acc re .se .ch1
5 .te You are now doing the ultimate exercise in Lesson 4. Lesson 5 wilse
your ring fingers, using them only for their own keys. .mo .fl 2wsx9ol.
.HI THE RING FINGERS Now mark the ring finger keys like
you did the others. They are flashing now on the display. .fl 2wsx Mark
the 2 W S and X with the BLUE stickers. .fl 9ol. and 9 O L and "." with th
e YELLOW stickers. .mo .fl 1qaz0p/ .HI THE LITTLE FINGER
To use your ring fingers only for the correct keys, you must also use your
little fingers correctlyl be the ultimate Lesson (except for the general pra
ctice material in Lessons 6, 7 and 8). How time flies! .se .if sc wpm re
.se .if sc acc re .se .ch16 .in .HI THE END OF LESSON FOU
R .hi What would you like to do now 5 Start Lesson 5 4 Review
Lesson 4 6 Go on to Lesson 6 (General practice) M Return to Main Menu X EXIT
(FINISH) The EXIT key takes you to the normal HELP menu. Press 5, 4, 6, M
or X and CR, or EXIT. CR alone Lesson 5 .G there are many unmarked ke
ys on both ends of the keyboard beyond the ring finger keys. They all
belong to your (overworked!) little fingers. Some of them are flashing now,
but there are also several other keys, which vary from keyboard to keyboard
. .mo Your little finger is difficult. On a computer it does not matte
r much that it is the weakest finger it no longer has to lift up a heavy carr
iage like it had to on a manual typewriter. But it is also less nimble tha
Rt, too, is fixed in height. Ideally your keyboard will be quite thin, so th
at the surface on which you are typing is close to the desk surface. .mo
Your hands should be resting with your fingers hovering over the home
keys. If possible you can rest your palms on the edge of the keyboard or ev
en on the desk. Your wrists should be relaxed -- not too flexed. Your
elbows should be at about a right angle. This means adjusting the height of
your seat to suit. The chair sho the home keys your palms resting, if yo
u like, on the edge of the keyboard. .if sc wpm re .se .if sc acc re .se
.ch 03 .in .HI YOUR SCREEN Now that you have got y
our seating and keyboard arranged correctly for comfort (and therefore fo
r fast and accurate typing), what about your screen It should be arranged
so that it is as square on to your eyes as possible -- but avoiding reflect
ions. You should normally avoid having a window behind uld not have arms
(which tend to get in the way and make you hunch your shoulders). Your uppe
r arms should be able to hang in a fairly relaxed way, again to avoid tensin
g your shoulders. Your chair should have a backrest, adjusted to supp
ort the small of your back so that you do not slouch. .mo By the time
everything above seat level is properly adjusted you may find two problems.
On some desks your thighs may be up too close to the underside of the de
sk. (You shoulyou, and you need to take care about overhead lighting
diffusers rather than bare fluorescent tubes help to reduce glare. The
light level should be bright enough so that you can easily read any documen
ts that you are using with the computer, but not so bright that you cannot
see the screen clearly. .mo Here is another exercise to practice the same
finger locations. .mo .te Which way will the zealous zoo questers go, in
their search for fuzzy zebras And why, in ad choose a desk with little or no
rail at the front, so that your knees can be quite close to the keyboard
.) And as most desks are too high, these instructions may make you e
nd up with your feet up off the ground. If so, use a foot rest of a suita
ble height so that your feet can rest on it firmly. That way the front o
f your chair will not put undue pressure on the underside of your thighs. .m
o .hi BACK CHAIR You could also consider using a lon
g" to them. You will now be hitting all the keys with the correct fin
gers. .mo You should need to concentrate on one new thing only .
hi Use the ring fingers only on their own marked keys. The other fingers
should now be falling automatically into place. .te concentrating o
n ring/little finger keys The simple way to learn to type quickly is to spend
quite a lot of work on the task. It requires zeal application persistance.
Would an expert whippinback chair instead of the traditional type of chair.
The back chair is the sort of chair that you both kneel in and sit in and
which has no back rest. Many people, particularly those with back problems
, have started using back chairs. The design helps avoid many of the pr
oblems of traditional seating. Anybody who spends a lot of time sitting down
should try one. In a moment you can read some tips about how to arr
ange your screen for comfort. .mo .HI KEEP YOUg be an extra help as w
ell .se .if sc wpm re .se .if sc acc re .se .ch 02 .in .HI
YOUR SEATING You should give attention to how your seating and
desk are arranged for the best and most comfortable typing. This will certa
inly affect your stamina, and so will also affect your speed and accuracy. In
the long term it will also affect your health! The desk top is usually a
fixed point, so we will start from that. Your keyboard is on the desk, so
thaR RING FINGERS TO THEMSELVES The next exercise gives practice on using
keys next to each other little, ring and middle fingers. Try to use the c
orrect finger. .mo .te using little/ring/middle fingers next to each other 1
2 crazy, quirky people laughed/giggled in an excessively polite way at 90 poor
jokes and quips from Xmas crackers. 20 onlookers appeared to walk zippily
away from the sad, dazed dozen. .se Don't forget to sit in a relaxed way
with your fingers hovering over R for concentrated practice session
s. .mo Once again you can carry on with the extra practice material if
you have got time and would like to make use of the features of the IANK
EY program to consolidate what you have learnt so far. These practic
e sessions include some exercises on the numbers keys. .HI
IF YOU WANT TO QUIT If you want to quit at any time, press EXIT and X.
For a further session you can then automatically come back to whx zigza
gged quickly so the weapon zipped into a willow, zapping 48 wasps as it slas
hed into their nest. .se .if sc wpm re .se .if sc acc re .se .ch10 .te
If a quinquereme has 5 banks of 12 oars with 3 rowers per oar, 3 drummers (to
work in shifts), 2 helmsmen and 4 people in the galley it has a total compl
ement of 189, and is quite unwieldy. .se .if sc wpm re .se .if sc acc re
.se .ch11 .te Polite police persons are rewarded with quick promotion, but
less likely to be proere you left off. .mo .ch 05 .in .hi
MORE PRACTICE From now onwards there are another 10 exercises to prac
tice using your little and ring fingers, and also to practice the numbers
keys. We will usually not introduce them separately but just go from one
to the other, without stopping. But first some practice with the Shift keys
. .mo .te Anna, Bronwyn, Cath, Donald, Ewan, Flora, Gwendoline Hal Isla Ji
ll Kes Liz Max Neil Olga Polly Quade Roxmoted fast than police people who ca
n boast a record of extraordinary zeal in making arrests. .se .if sc wpm re
.se .if sc acc re .se .ch12 .te Mozart's Requiem is an especially appeal
ing piece, as all afficionados of the Maestro sooner or later discover. Qui
te what the master expected as its reception can always be queried. .se .if
sc wpm re .se .if sc acc re .se .ch13 .te 120 zebras exasperated the zoo
's quizzical warden/keeper. Alas! the extension would result in aanna Sal T
ex Uffa Vasiliou Wanda Xavier Yvonne Zoe. .se Your speed -- and proba
bly your accuracy -- will have dropped considerably with all that shifting a
nd the strange letters. Do not worry! However good you are, your speed will
always drop when you are typing less common characters. (That is why you sho
uld not strive to type rythmically.) ..mo .if sc wpm re .se .if sc acc r
e .se .ch06 .te 47 computers $4,699 $220,853. Subtracting 25% discount
from the $ whole lot more (an extra 28) absolutely wasted in his view, seeing
the zoo's status. .se .if sc wpm re .se .if sc acc re .se .ch14 .te Th
e azure blue horizons of New Zealand are an extra perquisite for aged people w
ho wish to pass their last quiet days in peace and tranquility sand, sea and
ozone aplenty. .se .if sc wpm re .se .if sc acc re .se .ch15 .te Wow!
We've pulverized the exercises and perused all the texts. How much extra spe
ed and accuracy have we achieved 220,853 (-55,213.25) gives $165,639.75. An
8% commission amounts to $13,251.18. Not exactly to be sneezed at! .se Rem
ember to do your finger strengthening exercises from time to time. Rest th
em on a flat surface and move each one separately. This is particularly
useful for getting more strength and agility into your ring and little fi
ngers. ..mo .if sc wpm re .se .if sc acc re .se .ch07 .te The Wednesda
y meeting was, Alas!, quite inquorate. Only 6 of the possible ny case, plea
se What weird -- well bizarre, let's say -- wading plovers do the zoologists
expect .se .if sc wpm re .se .if sc acc re .se .ch 04 .in .HI
THE END OF LESSON FIVE You have now finished the five lessons
of TWO FINGERS TO TOUCH. You could leave the program again now. In your or
dinary work from now onwards practice using all your fingers carefully for the
ir own keys, but ONLY for their own keys. Come back to IANKEY from tim
e to time 104 organizers appeared, when the quorum is supposed to be at l
east 9. Don't ask where the other 98 were! .se .if sc wpm re .se .if sc a
cc re .se .ch08 .te A quinzy is an extremely unpleasant kind of suppuratin
g tonsillitis. It is now quite easily cured with antibiotics and possibly surg
ery, with a short stay in hospital for 1 to 6 days. .se .if sc wpm re .se
.if sc acc re .se .ch09 .te Quincy's ax was sent whizzing through the ozon
e, splitting zwitterions as it went Ma R How much faster will we go Are we
using our maximum quota of digits .se .if sc wpm re .se .if sc acc re .s
e .ch16 .in .HI THE END OF LESSON FIVE .hi Wha
t would you like to do now As you may have discovered already. Lessons 6 to 8
contain general practice which you should now be able to type more
easily than these "finger twisters". 5 Review Lesson 5 6 Go on to Les
son 6 (General practice) M Return to Main Menu X EXIT (FINISH) echnology that
we are most likely to use owes its design more to the age of the high desk,
quill pen and horse- drawn transport, than to our technological age. .IF SC
WP RE .se .IF SC AC RE .se .CH03 .te For the typewriter or computer keybo
ard that we use today is, in its layout, practically identical to the one wh
ich C Latham Sholes designed for his typewriter back in 1873. .IF SC WP RE
.se .IF SC AC RE .se .CH04 .te It is often called the QWERTY keyboard afte
r the order The EXIT key takes you to the normal HELP menu. Press 5, 6,
M or X and CR, or EXIT. CR alone Lesson 3 .GET (0,0,56MX,5 Lesson 5,6 Le
sson 6,M Main Menu,X EXIT,Y,N,Y,Lesson 6,54,Y) .IF answer then 5,1 6,1 1,1 99,1
.se of letters in the top letter row. At the present rate most people will
still be using the same design at the end of the century. .IF SC WP RE .se
.IF SC AC RE .se .CH05 .te Some prophets of the new technology revolution
have suggested that within a few years the keyboard will be obsolete as we
shall all be dictating straight into our computers. .IF SC WP RE .se .IF S
C AC RE .se .CH06 .te However, it looks as if it will really be a long ti
me before voice recognition, as the..rev 851007 Amstrad 8256 .ne25 ..copyright
1982/3/4 Ian Litterick .CH01 .hi LESSON 6 Lessons
6, 7 and 8 are a lot of general practice material that you can come back
to whenever you want. Leave it at any time by pressing EXIT and X for
EXIT. .mo When you come back to the program for a new session, it will a
sk you whether you want to start from the beginning, or carry on where you
left off. If you say "carry on", it will bring you to the pra process is
called, gets that far. The computer giant IBM amongst others is working at v
oice recognition. .IF SC WP RE .se .IF SC AC RE .se .CH07 .te IBM wants
to put a computer terminal on every executive's desk and doesn't believe it c
an persuade the average executive to type! (IANSYST has other opinions!) .I
F SC WP RE .se .IF SC AC RE .se .CH08 .te But speech recognition machine
s need very fast computers with a lot of memory, and even then they have lim
ited vocabularictice exercise where you left off. The "beginning" will ta
ke you back to the initial menu where you can choose what to do. You
can press EXIT and L to go to that menu at Lesson 1, Exercise 1, at any t
ime, if, for instance, you think that you are ready to go on to the next
Stage. Now let's carry on with the general practice. It's all about the k
eyboard which you are working on... .mo .te Practically every part of the com
puter has been designed or redesigned over thes and usually need "training"
to recognize the person's voice. .IF SC WP RE .se .IF SC AC RE .se .CH09
.te A second change which might affect the universal dominance of QWERTY is
the need for smaller, single handed devices. In this area the traditional k
eyboard does not work well. .IF SC WP RE .se .IF SC AC RE .se .CH10 .te
Surely, the computer terminal of the future will not usually be the huge all-
enveloping desk station of screens and keyboards where you can hardly fe las
t twenty years. Even the Roman alphabet which it uses has been redesigned t
o make it more readable. .se In these practice exercises the computer w
ill automatically repeat an exercise if you do not achieve your SPEED
and ACCURACY targets. It will repeat for as many times as you tell it to
. Press EXIT and S for SKILL level to alter these targets or the maximum
number of REPETITIONS. .if SC WP RE .se .IF SC AC RE .se .CH02 .te But
the bit of information t Rs separated, in Shole's circular typebasket, if
they were likely to be used on consecutive strokes. That way the type bars di
d not clash. .IF SC WP RE .se .IF SC AC RE .se .CH20 .te This is not qu
ite the same as saying, as many people believe, that it was designed so as "to
slow down the user so that type bars did not clash". Sholes did not care m
uch about the user! .IF SC WP RE .se .IF SC AC RE .se .CH21 .te We can
be fairly certain that Sholes did not have touch-typinind room for a sheet of
paper. .IF SC WP RE .se .IF SC AC RE .se .CH11 .te On the contrary, for
most of us, for whom the computer is a tool rather than a way of life, the
technology will become much less bulky. A computer might be no larger than a
telephone. .IF SC WP RE .se .IF SC AC RE .se .CH12 .te This forecast im
plies that the QWERTY keyboard will be too big -- if it is small you can't get
two hands on it, and if you can't get two hands on it then QWERTY is very i
ncong in mind and probably thought that his keyboard would be used for two fin
ger operation as it still often is.... .IF SC WP RE .se .IF SC AC RE .se
.CH22 .te Sholes was the umpteenth inventor of the typewriting machine. D
epending on how you count, there were between 52 and 112 inventors of typing
machines before him, and many after! .IF SC WP RE .se .IF SC AC RE .se .
CH23 .te But he was the first who produced a machine (made by Remington) for
mass production. Later manufvenient to use. .IF SC WP RE .se .IF SC AC
RE .se .CH13 .te To prophesy the end of QWERTY would be silly, but there i
s certainly a need for smaller and easily portable devices and that means a
properly designed single-handed keyboard. .IF SC WP RE .se .IF SC AC RE .s
e .CH14 .te At the moment there is not an adequate single- handed keyboard w
hich is suitable for touch- typing like QWERTY is. Various solutions have be
en tried as we shall see later on. .IF SC WP RE .se .IFacturers usually kept
to the same design, which is why we are saddled with it today. .IF SC WP RE
.se .IF SC AC RE .se .CH24 .te This is not for want of trying on the par
t of generations of people -- like Dvorak, Maltron and many others -- who th
ink that they have designed something better (and probably have). .IF SC WP
RE .se .IF SC AC RE .se .CH25 .te The goals of these typewriter designers
have usually been more speed, greater accuracy, greater operator comfort, a
nd, som SC AC RE .se .CH15 .te Meanwhile, whether the future lies with one
hand or two, or partly with each, it is interesting to look at the ways in w
hich people have tried to improve on the QWERTY keyboard. .IF SC WP RE .se
.IF SC AC RE .se .CH16 .te Nobody knows exactly why Sholes settled on the
layout that we are now stuck with. Parts of it clearly owe something to alp
habetical order as you can see (D-FGH-JKL). .IF SC WP RE .se .IF SC AC RE
.se .CH17 .te On Shole's typetimes, ease of learning. These factors are
clearly linked. .IF SC WP RE .se .IF SC AC RE .se g*O!6"!"P!ak%!ak%!ak%!a
k%!ak%!"!2"!-"'!"!ak%!ak%!bk%!bk%!#bk%!"!"!$"!"*++*0'&k%p*6!1b$bk%*bk%! gk%!gk%*
*bIk%* *zozH**k%*k%**MG*!g!"!"*!2!!0%tk%**%*yewriter the type bars were arrang
ed in a circle underneath the roller and they flicked up to hit the underside
of the roller. (You couldn't see what you were typing!) .IF SC WP RE .se
.IF SC AC RE .se .CH18 .te But Sholes had a problem. His rather crude me
chanism meant that the typebars tended to stick. Because they were slow to dr
op back it was easy to jam one key against another. .IF SC WP RE .se .IF S
C AC RE .se .CH19 .te So the keyboard had to be laid out to keep key Rtrat
ion. .IF SC WP RE .se .IF SC AC RE .se .CH15 .te Another common suggest
ion is simply to arrange the keyboard in alphabetical order. The theory is
that an ABCDEF layout is quicker to learn because we are already familiar with
it. .IF SC WP RE .se .IF SC AC RE .se .CH16 .te But this idea has not
been successful on a typewriter as it turned out to be little faster to lear
n and, if anything, slower to use than the good (or bad) old QWERTY keyboard.
.IF SC WP RE .se .Ipread the workload so that typists could work for as lo
ng as possible without getting tired. .IF SC WP RE .se .IF SC AC RE .se .
CH07 .te So "balance" -- giving work to each finger according to its strengt
h -- was important. But an electronic keyboard needs much less physical eff
ort, so balance matters less today. .IF SC WP RE .se .IF SC AC RE .se .CH
08 .te You can type all day at an electronic keyboard without getting tired
although you may suffer cramps and discomfort becF SC AC RE .se .CH17 .te
The small keys on pocket computers are often arranged in alphabetical order b
ut they are not designed for continuous typing. It is quite impossible to t
ype fast on them. .IF SC WP RE .se .IF SC AC RE .se .CH18 .te The tradi
tional keyboard is not only criticized for the order and layout of the keys.
Its ergonomics as a whole -- the ways it relates to the human body -- have a
lso been criticized. .IF SC WP RE .se .IF SC AC RE .se .CH19 .te The au
se of the unnatural position which your body is in while you type. .IF SC WP
RE .se .IF SC AC RE .se .CH09 .te The fastest motion and also the most c
ontrolled motion on an electronic keyboard is in fact the "trill" of the fir
st and second fingers of the dominant hand (the right hand for most people).
.IF SC WP RE .se .IF SC AC RE .se .CH10 .te On the QWERTY layout that is
the movement from 'j' to 'k' and back again. So in the electronic age a ne
w keyboard design should l..rev 851007 Amstrad 8256 .ne25 ..copyright 1982/3/4
Ian Litterick .CH01 .in .HI LESSON 7 .mo .te One
of the first, and to this day the best known, attempt to design a better keybo
ard is that of August Dvorak who was a keyboard and typing expert in the 193
0s, 40s and 50s. .IF SC WP RE .se .IF SC AC RE .se .ch02 .te His design
tried to minimize finger motions, to balance the work load over fingers accor
ding to each one's strength, and, as far as possible, oad work onto this mov
ement until its performance suffers. .IF SC WP RE .se .IF SC AC RE .se .C
H11 .te Dvorak's keyboard is the most common full-size alternative to QWERTY
, but is still rare. Trials in the USA convinced the government that there
was little advantage in adopting Dvorak. .IF SC WP RE .se .IF SC AC RE .se
.CH12 .te There are two morals to be drawn from Dvorak (and Hoke and sever
al others). The first is that the search for absolute speed may be fairly p
ointto obtain alternate hand ("contralateral") keying. .se Is it time to
set your targets again (Press EXIT and S for SKILL Levels.) .mo .IF SC WP
RE .se .IF SC AC RE .se .CH03 .te With a mechanical typewriter it is fas
ter to key from a finger on one hand to a finger on the other (contralateral
keying) than to key from one finger to another on the same hand. .IF SC WP
RE .se .IF SC AC RE .se .CH04 .te Dvorak put the vowels next to each othe
r on the lefthand keys in ordless, particularly today.... .IF SC WP RE .se
.IF SC AC RE .se .CH13 .te The average typist spends comparatively little
time typing. It is much easier to increase your typing productivity by redu
cing the number of keystrokes (eg by using a word processor). .IF SC WP RE
.se .IF SC AC RE .se .CH14 .te The second moral is that the QWERTY keyboar
d is very well established and that inventors who try to replace it are in f
or a lifetime of work which is most likely to end in fruser to balance the key
board better and so that a high proportion of typing movements were from one
hand to the other. .IF SC WP RE .se .IF SC AC RE .se .CH05 .te His lay
out also diminishes the number of "reaches" of the same finger from top to bot
tom row, (as in "minimum" on QWERTY) which is the most awkward of all keyboa
rd movements. .IF SC WP RE .se .IF SC AC RE .se .CH06 .te Typing at mec
hanical keyboards is physically tiring. Thus in Dvorak's day it was important
to s Rt each movement. .IF SC WP RE .se .IF SC AC RE .se .ch2 .te A
two handed, ten finger chord keyboard gives 1023 different combinations. So
it can produce in one movement one of 1023 different syllables, letters, wor
ds, or even whole phrases. .IF SC WP RE .se .IF SC AC RE .se .ch3 .te T
his is the principle behind the Stenotype shorthand system which can be seen c
licking away at the front of the court in all the best TV courtroom dramas.
.IF SC WP RE .se .IF SC AC RE is the latest keyboard to try to improve
on QWERTY. It separates the two hands and banks the keys up to the sides. .I
F SC WP RE .se .IF SC AC RE .se .CH24 .te This is a more comfortable pos
ition and means that fingers do not have to move so far. They also tend to
fall towards the "home" row so touch typing without looking is easier. .IF SC
WP RE .se .IF SC AC RE .se .ch25 .te The thumbs, which are stronger, ty
pe ancillary keys and the letter 'e', which is the commonest .se .ch4 .te
Like all shorthand systems it suffers from occasional ambiguities when the sho
rthand is turned back into complete English, and it needs much more skill an
d training than QWERTY. .IF SC WP RE .se .IF SC AC RE .se .ch5 .te A ch
ord keyboard is only faster than ordinary keyboards if each chord stands for m
ore than just one letter -- i.e. when each chord signifies several letters o
r a whole word. .IF SC WP RE .se .IF SC AC RE .se .ch6 .te Each chord t
akes slightl apart from 'space'. A new letter layout tries to balance the loa
d and to minimize movement. .IF SC WP RE .se .IF SC AC RE .se one disk
drive Press the relevant movable tag into the end of the disk, so that you
do not risk destroying any data on the disk by writing over it.2 .hi But t
he disk containing your record must not be .hi write protected! So, on a
siy longer to form than a single keystroke. A single-handed keyboard calle
d the Microwriter was invented by author Cy Enfield. It has six keys and 47 c
ombinations. .IF SC WP RE .se .IF SC AC RE .se .ch7 .te Thus it can onl
y type letter by letter and so cannot go as fast as a standard QWERTY typewr
iter. But it has the advantage of being both small and fairly easy to learn.
.IF SC WP RE .se .IF SC AC RE .se .ch8 .te Ayres invented a word writin
g machine in an attempt to cokeyboard encourages you to sit in positions whi
ch are bad for your body. While a poor screen may give you eyestrain, your bo
dy posture is even more likely to give you problems at a VDU. .IF SC WP RE
.se .IF SC AC RE .se .CH20 .te The QWERTY keyboard would suit us much bett
er if we were redesigned so that our arms came straight out of the middle of
our chests and our fingers were all the same length. .IF SC WP RE .se .IF
SC AC RE .se .CH21 .te But those of us who were origi..rev 851007 Amstrad
8256 .ne26 ..copyright 1982/3/4 Ian Litterick .CH01 .HI
LESSON 8 Don't forget that you can leave the lessons at any time by p
ressing the EXIT key and X FOR EXIT. Perhaps it is time to review your speed
and accuracy targets. (Press EXIT and S for SKILL level). .mo .te Research
showed a long time ago that the fastest way to get information down on paper i
s by using a chord keyboard, that is a keyboard on which more than one key i
s pressed anally designed more to swing from trees than to operate typewriti
ng machines have to keep our fingers and wrists permanently tensed. .IF SC W
P RE .se .IF SC AC RE .se .CH22 .te In time this gives us aches in the sh
oulders and back. If we are foolish enough to keep up our typing for long w
e are likely to get aches all over as the machine keeps us sitting still. .IF
SC WP RE .se .IF SC AC RE .se .CH23 .te The PCD Maltron keyboard, desig
ned by Lilian Malt, an English woman, RAC RE .se .ch19 .te The whole keyb
oard takes up only 5 1/2" x 2 3/4" and looks rather complicated at first sight
. The inventors claim that it is about as fast as QWERTY to learn up to abo
ut 40 words per minute. .IF SC WP RE .se .IF SC AC RE .se .ch20 .te The
y also claim, not very convincingly, that it should be able to type at about 8
0wpm. But it is most unlikely that it would become the universal device whi
ch QWERTY is. .IF SC WP RE .se .IF SC AC RE .se .ch21 .te Forportant in
future fast speeds will be provided by ever more intelligent software. .IF S
C WP RE .se .IF SC AC RE .se .ch11 .te It makes sense for "authors" to d
o their own keyboarding while they are generating information or data. The
classic example is for journalists to do their own keying. .IF SC WP RE .se
.IF SC AC RE .se .ch12 .te As time goes on more of us are doing our own
typing. As typing is our secondary rather than our primary role we are less
concerned about t two-handed use surely no other layout will ever replace or e
ven make a small dent on the familiar QWERTY, the official international sta
ndard, as well as the de facto standard. .IF SC WP RE .se .IF SC AC RE .se
.ch22 .te But for small and therefore single-handed devices there is not y
et any such standard, and just reducing the size of QWERTY is not a good an
swer. So there may be room for a new standard. .IF SC WP RE .se .IF SC AC
RE .se .ch23 .te Happy (or at least rich)he speed that we reach, as long a
s it is adequate. .IF SC WP RE .se .IF SC AC RE .se .ch13 .te In future
, ease of learning, convenience and, above all, compactness will be more impor
tant for the many occasional typists than maximum speed. That points to a s
ingle-handed device. .IF SC WP RE .se .IF SC AC RE .se .ch14 .te Pocket
computers are becoming more and more useful. But until now, although small a
nd easy to carry, they have not been convenient to use, as they have will b
e the person who manages to get a patent on the single-handed device which b
ecomes the standard of the future. But bear in mind this paradoxical thought.
.IF SC WP RE .se .IF SC AC RE .se .ch24 .te If, back in 1873, C Latham
Sholes had patented the strange keyboard layout he had developed for his Ty
pe-Writing Machine, it is practically certain you would not be typing on QWERT
Y today. .IF SC WP RE .se .IF SC AC RE .se .ch25 .te For if there had b
een a patent on the lmostly had calculator-type keys. .IF SC WP RE .se .IF S
C AC RE .se .ch15 .te Nathaniel Rochester, and Frank Bequaert at IBM's Bo
ston research centre patented a clever and complex single-handed chord keyboar
d with ten keys set close together and covered in dimples. .IF SC WP RE .se
.IF SC AC RE .se .ch16 .te Each dimple can stretch over more than one key
so when a dimple is pressed either one, two or four of the keys move and ge
nerate the character corresponding to that partayout itself, other typewrite
r manufacturers would probably have preferred to design a new one rather tha
n pay royalties to Sholes. .IF SC WP RE .se .IF SC AC RE .se .ch26 .ins
.HI THE END Congratulations on reaching the end of
the practice exercises in the Iankey Two Fingers to Touch Conversion
Course. We hope that you have enjoyed your practice and that your typing
is much improved. .mo .hi What would you like to do now M IAicu
lar dimple. .IF SC WP RE .se .IF SC AC RE .se .ch17 .te It uses only th
e three stronger fingers and thumb, but all or any of them can be used toget
her in a single movement. So, for example, the word " The" can be keyed in on
e movement. .IF SC WP RE .se .IF SC AC RE .se .ch18 .te The inventors c
laim that a total of 4407 chords can be formed. These can include abbreviatio
ns and editing controls, as well as words and parts of words in text. .IF S
C WP RE .se .IF SC mbine the advantages of single letter keying and the ex
tra speed possible with chords. But the idea did not catch on. .IF SC WP RE
.se .IF SC AC RE .se .ch9 .te Maybe it was too complicated to use, maybe
it was never marketed properly or maybe Ayres had more sense than to waste
his life trying to sell the world a better keyboard. .IF SC WP RE .se .IF
SC AC RE .se .ch10 .te Until now keyboard designers have mostly concentra
ted on speed. But speed will probably be less im R #V%k%*s"*!D!D"*z
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nExerciseTARGETDEMO needs file needs installation file on any disk drive.to EX
IT and check is present on disk Version (c) 1983, 84, 85 Ian Litterick(Portions
(c) 1982 Digital Research, Inc.Configured for to type another name.%What is you
r name (Please type up toeight characters and then )Changing to monochromeWhich
drive is your record on+(or which drive do you wish to keep it on)Press , for cu
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a$!9a$h$£k%k£!ak%k!Ja!!5k*£da$!a$45! *sJ!a!!5k*Fve.Press A or B, etc... and (or
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rupted.*Press X to EXIT, any other key to continue"Type here for Help..RECABCDEF
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ik%c$b5!*M .You were at the end.You were at Lesson Exerci.IF SC AC RE .se .
ch9 .te Maybe it was too complicated to use, maybe it was never marketed pro
perly or maybe Ayres had more sense than to waste his life trying to sell th
e world a better keyboard. .IF SC WP RE .se .IF SC AC RE .se .ch10 .te
Until now keyboard designers have mostly concentrated on speed. But speed wil
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IF SC WP RE .se .IF SC AC RE .se .ch25 .te For if there had been a paten
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D "QS" E #9E "QE" AC RE .se .CH23 .te But he was the first who produced
a machine (made by Remington) for mass production. Later manuf"LESSON EXER
CISE WPM ACCURACY" /Wozg*coz/Wozg*(*H$!2a$*&$k%!!0*K*!*!**)*2s#r**H*!0*!M *"u
*zo*! "*+"u*"*oing our own typing. As typing is our secondary rather than
our primary role we are less concerned about the speed that wsetkeys keys.ian
i C RE .se e are foolish enough to keep up our typing for long we are like
ly to get aches all over as the machine keeps us sitting still. .IF SC WP RE
.se .IF SC AC RE .se .CH23 .te The PCD Maltron keyboard, designed by Lil
ian Malt, an English woman, 'R'''''''''"O.$$$","
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ste his life trying to sell the world a better keyboard. .IF SC WP RE .se
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